I learned something about myself recently, something that has been true for a long time, but I just never realized it: I'm a Sting fan. Like a legit, sing-along-with-all-his-songs admirer.* I've long had what I thought was a casual fondness for Sting. Somewhere in my basement I have a CD box set of The Police and his solo album Ten Summoner's Tales, but both of those were given to me as gifts. I never would have thought myself a full-fledged fan of Sting's music, and I found his affect--the falsetto, the tantric woo, the constant feuding with his ex-bandmates--more than a little pretentious. But recently I've had my mind opened--opened like that book by Nabokov--and I've come to the conclusion that when it comes to the toe-headed Brit né Gordon Sumner, just about everything he does is magic.
*Well, not all his songs, but most of them. Well, most them before, like, 1995. I must admit, I'm not at all familiar with his later catalog. I mean, he did an album with Shaggy?
It was an episode of the podcast Hit Parade that really elicited my Sting love. I've been catching up on past episodes, and I also listened to one about David Bowie recently, and if you asked me beforehand whose music I like more, I would have said Bowie's without question. But after listening to these episodes, I realized that it's actually Sting I like more and by a nontrivial margin. Bowie has some amazing songs, but actually not all that many, in my opinion. By contrast, listening to Sting's episode, I was like, Oh, yeah, that song is a banger, and that one, and that one... I mean check out this list:
The Police
- "Next to You"
- "So Lonely"
- "Can't Stand Losing You"
- "The Bed's Too Big Without You"
- "Message in a Bottle"
- "Walking on the Moon"
- "On Any Other Day" (Great deep cut)
- "Don't Stand So Close to Me"
- "Driven to Tears"
- "De Do Do Do, De Da Da Da"
- "Spirits in the Material World"
- "Every Little Thing She Does Is Magic"
- "Invisible Sun"
- "Re-Humanise Yourself"
- "Secret Journey"
- "Synchronicity I"
- "Walking in Your Footsteps"
- "Synchronicity II"
- "King of Pain" (bonus points for inspiring "Weird Al"'s "King of Suede")
- "Wrapped Around Your Finger"
Solo
- "If You Love Somebody Set Them Free"
- "Englishman In New York" (sneaky good)
- "It's Probably Me"
- "Desert Rose"
That's like 25 bops right there, most of them with The Police, but a few solo tracks as well. He also provides back up vocals on "Money For Nothing" (total guilty pleasure song for me), and his song "Shape of My Heart," which I don't love (it's fine), is the backbone for Juice WRLD's "Lucid Dreams," which Lil' S2 and his friend used to ask me to play in the car all the time.
You might have noticed that I did not include either "Roxanne" or "Every Breath You Take" in the list above. I've never really liked the former, and the latter is a tremendous song, an absolute tour de force, that has been almost completely ruined for me because it's been so overplayed. It is, perhaps literally, the most played song in radio history. Like, if I had never heard "Every Breath You Take," and I listened to it for the first time, I would probably be thinking, Wow, this is absolutely amazing! (The Puffy remix is awesome too, if you can separate the artist from the art.) But I've now heard it so many times, it's hard for me to enjoy it. A few other songs that reached this level for me: "Stairway to Heaven," "Losing My Religion," "Longview," "Gangnam Style," "Old Town Road."
In the Hit Parade episode about Sting, one thing that host Chris Molanphy mentions is that Sting was a musical chameleon, who always seemed to find the right style to chart a hit--punk when punk was the thing in the early '70s, reggae when that was hot in the late '70s, synth-heavy in the '80s, ballad-y in the early '90s, and he even dipped his toe into hip-hop and country in the late '90s. This was often used as a knock against him, like he's phony or something, but really what's wrong with it? What's wrong with wanting to make the type of music that's popular at the time?
Maybe I'm just sensitive to this charge because I always felt like I was a chameleon coming of age at a time when authenticity was of the utmost importance and being a poseur was an insult of the highest degree.
Anyway, gotta run. Until next time... Zenyatta Mondatta.