One thing about going from DC to Frankfurt to Paris back to Frankfurt to Bangalore to Shimoga back to Bangalore back to Frankfurt to Philadelphia back to DC is that you have a lot of transit time in which you can watch movies. I saw ten movies total, and that's not including the first half of the The Dink, which I was watching with Lil' S2 and S until our internet connection unexpectedly dropped, and we never got around to finishing it. (Nobody was all that broken up about it.) These were all movies I had not seen before, and below is my review of each of them in reverse order of how good I thought they were.
That this movie is last on my list tells you that it's a very strong list, as this wasn't a terrible film. The main reason I didn't particularly enjoy it, isn't it's fault; it's Netflix's. It came up on my profile as a comedy, but it's not a comedy. It's also not a "musical teen drama" as Wikipedia says. It's a drama about a teenage girl in a musical. There are very few laughs in it, which was a problem for me, as when I put it on I wanted to laugh. I was in the mood for something not-so-serious, and so when I saw a comedy starring Adam Sandler's daughter, I had something like Booksmart in mind and thought to myself, Ooh, this could be perfect. Then, in the opening scene, you learn the main character's mom is dying of cancer, and it was like, Wait... what?! This isn't what I wanted at all!
We watched this in India on the big screen. We couldn't have carried on with our vacation in peace if we didn't. No matter what we were doing on a given day, Lil' S2 bothered us about going to see the new Spider-Man. Stuck at the airport in Frankfurt: "If we don't go to India, can we at least see the new Spider-Man?" On the train to Paris: "Oh, when we get there, can we see the new Spider-Man?" On top of the Arc de Triomphe: "When we get down, can we see the new Spider-Man?" We put him off by saying we wanted to take his 13-year-old cousin in India with us, which was true, so then once we got there we had to follow through on that.
As for the movie itself, it was a slight step-up from the usual formulaic, forgettable superhero film. I mean, I saw it several weeks ago, and I still remember the major plot points, which is something. Every other time I saw one of the Spider-Man movies--and I think I've somehow seen them all now--I forgot major portions of the story the second I left the theater. So, Brand New Day at least clears the very low bar of "I can tell you what happens."
8. Obsession
Like Don't Say Good Luck, this one suffers from a genre problem for me. Unlike Don't Say Good Luck, it's on me, as this one is clearly categorized as a horror movie, and I just didn't realize that when I rented it. (I just heard it was a good movie.) Then after I rented it, I had to watch it, lest I pay $4.99 for nothing. This is not a bad movie--it's quite good actually--it's just that I don't really appreciate horror films, unless I'm in the right setting, and that setting is not in an airplane seat watching by myself on a small screen. I need to be with people to get the most out of a horror movie. That's probably why I don't watch them very much anymore. S doesn't like them, and Lil' S1 thinks the live action Grinch is too scary, so he's out. That leaves Lil' S2, and although I'm very lenient on the movies my kids consume, making my 11-year-old child my horror movie watching partner is a bridge too far. I mean, who am I Mark Borchardt?
So, sorry Obsession, you're a fine film, I just didn't consume you correctly.
7. Yesterday
I found this movie delightful because I love the Beatles, and I find pretty much anything associated with the Beatles delightful, but it has a plot flaw that I couldn't get past. The premise of the film is that a struggling singer-songwriter* wakes up one day in world where the Beatles don't exist, but he still remembers them and all their songs. He then starts playing their songs as if they are his own and gets famous, and then the movie is basically about his internal conflict of living this lie (with a cute girl in the mix, of course).
*Played by Himesh Patel in his much less buff, pre-Odyssey body.
But here's the thing: If these songs only exist in a world in which they are in your head, aren't they rightfully your songs? I mean, whose else are they? And I just kept thinking, Why doesn't he tell the truth? Just say, "Something weird happened, and I have all these amazing songs in my head from a band nobody else seems to remember but me." That's what I would do, and then I could ethically take credit (and money) for the Beatles' music. Nobody would believe me, and they would probably think it was a ridiculously pretentious act, but it would clear my conscience. Plus, I would still be performing, and inevitably changing, the songs (no cover sounds exactly like its original), so they would still very much be my songs. Plus, plus, maybe I would start to think that the Beatles never existed, even in my world, and I was some sort of touched musical genius. I mean, this is less crazy than the alternative, if you think about it.
So, overall, fun movie with a very flawed plot.
6. Bridesmaids
Now this is the silly female-led comedy I was looking for--very solid. One problem is that the funniest part (to me) came within the first five minutes of the movie, so it didn't quite live up to the high bar it set for itself early on, but still, it made me laugh, and it made two-hours of a nine-hour flight go by relatively quickly. So, well done there.
A good movie that is not a great movie. The performances are really strong--Benedict Cumberbatch and the kid Kodi Smit-McPhee are both great; Kirsten Dunst is great; and Jesse Plemons is great, as always--but there was something about the character development of Smit-McPhee's Peter that I found lacking. The film is apparently based on a novel, so they probably had to cut out some of the backstory, and maybe they cut out a bit too much.
An interesting fact about this movie is that it is one of three movies for which a woman won the Best Director Oscar. Once, I was in a trivia competition, and my team was leading, and the final question was to name these three women directors. We knew Kathryn Bigelow (The Hurt Locker) and Chloé Zhao (Nomadland), but we did not know Jane Campion (The Power of the Dog). Thankfully, nobody else did either, except for my sometimes trivia teammate/sometimes trivia rival N, but nobody on his team trusted him, so we still won.
4. Scarface
A classic I had never seen. Really good movie. I kept waiting for the line "Say hello to my little friend!" and I waited a long time, as it doesn't happen until the very end. I didn't watch a lot of the famous gangster movies--Scarface, Goodfellas, Casino, etc.--the first time around (I think I was a little too young), so now that I've been catching up on them, I'm struck by how many of the actors were later on either The Sopranos or Breaking Bad. In Scarface, we've got a young Don Eladio and a younger Héctor Salamanca and "Feech". We've also got Michelle Pfeiffer at her apex. Once I was at Sherry's with my high school girlfriend, and an old woman came up to our booth and said to her, "You are a dead-ringer for a young Michelle Pfeiffer." I was like, Yeah, right, if only...
This one has been available to stream for free for some time, but I was really resistant to it for some reason (possibly the 150 minute run-time). I shouldn't have been. It's tremendous--an absolute tour de force by Timothée Chalamet. I heard that he campaigned hard for himself to win the Best Actor Oscar, and I can see why. He should have won, and I say that having no idea who actually did win. (Fact check: It was Michael B. Jordan for Sinners, which I haven't seen yet; see my spiel on horror movies above.) The Shark Tank guy was also good, as was Gwyneth Paltrow. She's easy to make fun of, because her Goop company is so ridiculous and she says things like "conscious uncoupling," seemingly in earnest,* but as an actress, I don't think I've ever seen a bad performance from her.
*It's possible she's just an Andy Kaufman-esque comedian, and the joke is actually on all of us. Her line "I'd rather smoke crack than eat cheese from a can" is genuinely funny, as is her doubling down on it. The problem is that I've read articles and blog posts from real medical professionals who aver that a lot of her Goop stuff is not just harmless campy fun, but rather junk science that can do people harm.
Now, this is precisely the type of film I want to see on a long flight. I'm strapped into a small chair, in a metal tube, with 199 other people, hurtling across the planet at 600 mph, 35,000 feet in the air. Let's get weird. And who does weird better than David Lynch? I've seen a lot of his stuff, and it ranges from quite bizarre but coherent (Twin Peaks) to completely unintelligible (Inland Empire). Wild at Heart is in the former camp, which I appreciate. I like the surreality of Lynch's work, but I need there to actually be some semblance of a storyline, or I start getting bored. It's like staring at a piece of abstract art. It's fine to do for two minutes, but not for two hours (and even within two minutes my mind would start to wander).
And speaking of actors who get made fun of a lot, but who can be legitimately brilliant: Nic Cage. Say what you will about the man, but he's got range. I saw him in a movie called Dream Scenario recently, and he is really good playing a character who couldn't be more opposite than Sailor Ripley in Wild at Heart. And he's excellent in this film too. (So is Laura Dern. So is Willem Dafoe.) David Lynch isn't for everybody, so I'm always hesitant to recommend him, but if you like his style and somehow haven't seen this one yet, you should see it... on an airplane. However, I suggest positioning your device in such a way that the other passengers can't see it. That was the one problem with watching this movie in a public setting--it's basically one long continuous sex scene with some breaks for dialogue and action.
1. The Odyssey
One of the days we were in Bangalore, S went shopping with her cousin and mom and took the kids with her. Her cousin's husband was at work, so it was just me on my own. As it just so happens there is an IMAX* theater in the same building as our hotel, so I went to see The Odyssey. I loved it. As a movie, it's pretty good; as a spectacle, it's tremendous. The cyclops scene on the big screen is amazing; the Trojan horse scene on the big screen is amazing; every scene with Charlize Theron on the big screen is amazing. I was enrapted the entire film. It was two hours and 52 minutes, and I could have watched more. One of my steadfast beliefs is that everything is too long, but this was an exception. It could have been four hours, and I would have been into it still. Of course, it helps that in India they take a ten minute intermission during long movies. I love that, and I hope it comes to the States sometimes soon. I don't have to be in the position of choosing between a bursting bladder and missing a possibly an awesome scene.
*I think it was an actual IMAX theater too, although I'm not 100% sure. I did a deep dive the other day on the difference between IMAX and "LieMax," but it's all dependent on aspect ratio and film gauge and technical stuff like that. My main takeaway: If you see a movie on a giant screen, with huge speakers, and it looks and sounds cool, what difference does it make?
Alright, that's enough for today. Until next time...










